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Tourmaline

Tourmalines

No other species gives a designer this much colour to work with, and very little of it needs treatment to get there. Tourmaline is supplied as single stones, as suites assembled for a palette, and as parcels — and it is the species buyers most often come to us for when a piece needs a colour that sapphire cannot give them.
Loose faceted tourmalines scattered on white — greens, pinks, reds and warm peach tones across mixed shapes and sizes.

Varieties

How tourmalines are categorised

Trade categories rather than gemological ones — these are the terms a requirement is normally written in.

Green Tourmaline
Mint through forest; the most available colour across sizes.
Pink Tourmaline
Pastel through hot pink, widely used in bridal and fashion lines.
Rubellite
Strong red to purplish red — the top of the pink range and priced as such.
Indicolite
Blue to blue-green. Scarcer than the greens and pinks.
Bi-colour Tourmaline
Two distinct colours in one stone, cut to show the boundary.
Parti-colour Tourmaline
Three or more colour zones in a single stone.
Watermelon Tourmaline
Pink core with green rim; usually cut in slices to show the pattern.
Chrome Tourmaline
Vivid saturated green from chromium and vanadium; small sizes dominate.
Paraíba-type Tourmaline
Copper-bearing neon blue-green. Sold with a report identifying it as such.

Tourmalines in detail

Buying tourmaline by colour

Tourmaline is the species where sending a reference image is worth more than any written description. "Green tourmaline" covers mint, olive, grass, teal and near-black; "pink" covers everything from a barely-there pastel to rubellite. A photograph of the target colour narrows a sourcing request faster than a paragraph.

Because the colour range is continuous rather than banded, tourmaline suits palette-driven design work particularly well. Buyers assembling a collection often send a colour story rather than a stone list, and we work back from that.

Strong, evenly saturated colour in larger sizes is where availability tightens — especially in rubellite, indicolite and the vivid chrome greens. The pastels and the mid-tone greens remain broadly available.

Pleochroism affects how the stone is cut

Tourmaline shows markedly different colour along different crystal directions, and it is usually darker down the length of the crystal than across it. Cutters orient the stone to control this, which is why long rectangular and emerald-cut outlines are so common in the species — the shape follows the crystal.

The practical consequence for a buyer is that face-up colour and the colour you see looking through the side of the stone can differ noticeably. Assess tourmaline face-up, in the orientation it will be set.

Deeply saturated material is often cut shallow on purpose to keep the stone from going too dark. If you are setting into a shallow bezel this works in your favour; if you need depth for a specific mount, state it.

Bi-colour, parti-colour and cutting to the zone

Bi-colour and parti-colour tourmaline is priced on how well the colour boundary is placed, not only on the colours themselves. A crisp, centred division through an emerald-cut stone is worth more than the same two colours falling unevenly across an oval.

These stones are almost always singles. Matching a pair of bi-colours on both colours and on the position of the boundary is possible but should be treated as a commissioned search.

Watermelon material is normally cut as slices rather than faceted, because the concentric colour zoning only reads when you look down the length of the crystal.

Parcels and suites

Mixed-colour tourmaline parcels are a practical way to buy for a varied collection, and they are one of the formats we handle most. A parcel can be specified by size range, by shape, by colour family, or as a deliberately mixed lot.

For a designer working to a palette, a suite assembled to a brief is usually more useful than a parcel bought on size alone. Tell us the colours, the size range and the piece count and we will work to it.

Treatment

A large proportion of tourmaline reaches the market with no treatment at all, which is one of the reasons the species is attractive to designers. Heating is used on some material to lighten over-dark stones, and irradiation is used on some pinks and reds; both are established trade practices. Copper-bearing Paraíba-type material is a distinct and heavily premium category that should be bought with a laboratory report identifying it. We record the treatment stated for each stone rather than assuming the species norm.

This describes the market for the species. It is not a statement about any individual stone — disclosure for a specific stone comes from that stone’s own record and documentation. More on laboratory reports.

Buyer questions

Buying tourmalines

Can you put together a mixed-colour tourmaline parcel to a brief?
Yes, and it is one of the more common requests we get from designers. Send the colour range you are working to, the size range, the shapes you can use and the number of pieces. A reference image of the palette helps more than colour names.
What is the difference between rubellite and pink tourmaline?
Rubellite is the trade term for the strongly saturated red to purplish-red end of the range, and it carries a significant premium over pink. The line between the two is drawn by eye rather than by a defined standard, so it varies between sellers — worth confirming against an image.
Is Paraíba tourmaline available?
Copper-bearing tourmaline is available but is a specialist, high-value category and is bought with a laboratory report confirming the copper content. Treat any Paraíba-type offer without a report with caution regardless of who it comes from.
Is most tourmaline treated?
A large share of it is not, which is unusual among coloured stones. Heating and irradiation are used on some material. We state what has been recorded for the individual stone rather than relying on the general pattern.